Big As A Skint Mule...
Labels: Grand kids, mule, weird old america
Labels: Grand kids, mule, weird old america
Some are used to music that cuts your throat with Les Paul guitars and Fender Strats. Last night the Angelina Arts Alliance featured the a capella group Straight No Chaser and their dynamic performance had all the energy you might expect of any rock show. It was another top notch event for Lufkin in the fine Temple Theater.
Labels: electric guitar, music
Singer songwriter James McMurtry has a song, and I may be just paraphrasing, where he is asked, "is that a real song or one you made up?" Someone asked me recently after a Goat Rodeo performance if we wrote all those songs. There had been one original but the rest of the set was tunes by the Beatles, Stones, Howlin' Wolf and John Prine that are million sellers as well as a few by more critically acclaimed writers that should be better known. McMurtry also lamented the fact that in his efforts to become an artist he discovered he was a good beer salesman. In the last month or so I've sold barbeque, fish plates and it's given me a chance to think about comments people make about my music.
One of the best comments and I got it a few years ago was from a classically trained musician, older and very experienced. He said after hearing some of my more creative efforts, "Your not coming from the same place as I am." It made me think of the lyrics to the Papa Mali song "Sugarland."
"You see me standing on the highway
Don't ask me where I'm going
I'm not going your way
I'm searching, trying to find my way, trying to find myself..."
Recently when Goat Rodeo, which is what me and Cathy call our duo finished a set some one commented to us, "ya'll work well together." Well duh, happy wife, happy life is all I can say about that. I learned real quick not to kick on the ring modulator during her songs.
The best all time comment I have had though came on one of my youtube videos of a tuba riff I recorded during the early covid days in March 2020 when lock down and shelter in place orders were looking like they were going to be pretty severe. The riff uses a Fender Bassman 70 tube amp, an EHX Blurst low pass filter and a delay. I called it simply enough "Shelter in Place." About two weeks ago Elemkay left this in the comment section:
"Nice. Those bursts are like ingesting mushrooms with an elephant trumpeting in your direction."
Thanks Elemkay. You made my day.
Just so you can kind of feel like Elemkay does and maybe leave a comment of your own about how you felt:
Labels: band, electric guitar, music, tuba
Labels: 5 gallons of stink bait, birds, catfish, Grand kids, lake, pontoon, swimming in my belly
Labels: music, New Orleans, pants, trousers
It's not even Advent yet and I'm having Mardi Gras dreams.
I dreamed that I was standing on Raguet St. in Lufkin, Tx waiting for a parade to pass. Raguet St. is a long street running all the way through Lufkin north to south (I always thought The Raguet Street Ramblers would be a good band name but I've kind of learned my lesson on those band names with too much backstory) and I was standing with a group of people in the area of what used to be the old Junior High School but is now Pineywoods Acadmey.
Weird thing is the neighborhood is all turned around with the school on the opposite side of the street and a little south of where it is now. I was standing, waiting on the parade with a small group of maybe a dozen people. We are all bunched up, there's is not that many people there for the parade and there is plenty of room where we could have spread out along the street more.
The parade starts to pass and even though the real parades in our town have improved impressively the past decade or so this one is small East Texas town stuff. People are driving vintage cars and riding in the back of big wheeled mud pickups of the kind I'm not sure what they do with the rest of the year. The drivers and passengers are tossing beads but it's like they are not really looking where they throw so the beads are landing in the street and against the curbs of each side of our bunched up group. No one chases down these beads they lay where that fall.
The beads, are very colorful flashing in the sunlight as they fly through the air. They are the cheap imported kind that child labor makes in dreary factories that have stolen any imagination that the kids might possible use to think about the reason the world needs such beads. When these beads hit the ground to the sides of the gang of spectators they break rendering them impossible to wear around your neck.
Finally I put my hands up and with one finger I clumsily catch a string of large green, gold and purple beads interspersed with plastic crawdads. I look and there's a girl on my right. She's cute but it's a washed out pale and skinny with no muscle mass cute. I hand her the beads and say, "Have you ever been to Mardi Gras?"
She says, "Not in New Orleans but once in Baton Rogue I sat in an enclosed glass viewing grandstand with my parents and watched a parade pass. Because we were inside I never got any beads."
The thought went through my head, "This is not the girl for me."
Labels: New Orleans
Labels: Lufkin Brass, meat, music, Polka, tuba
Labels: family, Grand kids