Croce Plays Croce for The Angelina Arts Alliance...
Labels: electric guitar, music, New Orleans
Labels: electric guitar, music, New Orleans
Labels: sensitive, subversive, war
That $100 also included a ratty worn out cardboard case. Guitar was in good shape, slight crack in the top and some fret wear where the previous owner had played a lot of cowboy cords. You can see in the picture I have put some wear on it too. Action was high on the strings, which is not all that comfortable to play. This was in my early guitar days, so low action that played well was important, it makes playing easier. Now I know that if the action is kid of high you get more tone. This high action/good tone thing lead me to make a discovery as to what this guitar is really good for.
One day while fooling around in a guitar book I had I tuned this guitar to an opening tuning. I guess I had owned the guitar a couple of years by now. I had a metal guitar slide, kind of like what a steel guitar player uses except with a hole in it to insert your pinkie and I slid it along the strings. I was immediately able to see where sounds like I heard on old Mississippi Delta blues records were coming from. The high action lent itself to slide playing and the guitar was loud. This old Alvarez guitar became my closest friend during this time of my life.
I totally dedicated this guitar to slide, played it all the time, I was not married at the time, awful lonely and quiet around here, I had a bunch of time on my hands. I played on the porch, I played in the living room, in the bathroom, and at many jam sessions around east Texas under tall pine trees late at night. I guess it was about 20 years later I bought a metal bodied resonator, thought I needed it, and some day when I get it really broken in I will write about it. This Alvarez though has been an old friend, something I learned with, something I used to learn something about myself with.
It does not get played as much these days. It sits on a guitar stand, tuned to standard tuning, may be someone will pick it up to quickly work out a tune that is on their mind at that minute and they don't want to lose the thought by taking the time to get another guitar out of a case. I offered it to Morgan as a guitar to take to college. I told him he could keep it till he bought one of his own, but it was special and I wanted it cared for and returned at some point. He deferred, I don't know why, but he took the Roy Rogers, our name for a Fender acoustic that no one likes to play, but everyone seems to like to look at, kind of like you would look at a dog with a misshapen head. That's another story though.Labels: electric guitar, music
Labels: big white dog, subversive, weird old america
Labels: banjo, Doches, drums, Lufkin Brass, music, Nacogdoches, New Orleans, tuba
Labels: electric guitar, festival, jazz fest, music, New Orleans
Labels: Black History, jazz fest, music, New Orleans
Labels: big white dog, Grand kids
Labels: 5 gallons of stink bait, birds, catfish, lake, meat, pontoon, retirement
Labels: catfish, Cathy, family, Grand kids, Sabine, white bass
Back in the late 1970s/early 1980s I was lucky enough to see blues duo Sonny Terry and Brownie McGee two times. I can't really take any credit for knowing much about them at the time. I was a big blues fan and they performed in a small bar that is now a parking lot in an East Texas collage town. All my friends were going and many of those there that evening are still my friends. All this is as good a reason as you can find to realize that Black History matters.
Sonny, a harmonica player lost his sight to injuries by the time he was 16. That left him music as one of the only ways to make a living and he began performing around North Carolina. By 1938 he appeared at Carnegie Hall as part of promoter John Hammond's Spirituals to Swing Concert and recorded for the Library of Congress. He teamed with Brownie by the 1940s and was in the original Broadway cast of Finian's Rainbow and Cat on a Hot Tin Roof. Musicologist Ned Sublette links Sonny's harp style to the music of African Pigmies who using what a European would call pan pipes alternated sung notes and blown notes to tell the story of the hunt. Sonny recorded "Fox Chase" in 1938 alternating whoops with the harp notes to add to the ancient tribal story of how to hunt large game without getting stepped on.
Labels: Black History, Doches, electric guitar, Nacogdoches